Underworld (2003)

For centuries, a war has raged between vampires and lycans. In the modern day, the lycans are all but extinct thanks in part to vampire warrior Selene (Kate Beckinsale). When she discovers the lycan are hunting a human, she will stop at nothing to find the truth—even if it means waking Viktor (Bill Nighy).

Let me digress for a moment—Bill Nighy is awesome! The guy doesn’t make a bad movie. Romantic comedies, blockbusters, period films, dramas… Supporting or lead role, Nighy owns each and always executes brilliantly.

Underworld, in essence, is a retelling of the Montagues and the Capulets. With Gothic tendencies, it’s a highly-stylized film with little bite. But it's fun.

Director Les Wiseman sets the stage with a narrative from Selene. Without that, we’d have more of a mindless romp. Casting is an interesting mix. Again, Bill Nighy as Viktor—overlord of the coven—is amazing!! Kate Beckinsale looks amazing, but is otherwise wooden despite attempts at affection. Scott Speedman, the human object of her affection is horribly reminiscent of Scott Sapp and is a complete turnoff.

The production is dark, rainy, and doesn’t follow its own rules, even breaking with horror conventions. Underworld doesn't effectively build suspense of terror; it builds action sequences and disjointed dramatic moments. But it’s fun.

The special effects are well done. The change from human to lycan is often shrouded, the transition is believable. Viktor’s resurrection was seamless. The cascades of silver and ultra-violet bullets aren’t nearly as cool as what you’ll find in The Matrix. Take heart, viewer. The leather-clan Beckinsale matches Trinity corset for corset.

So what is Underworld? It’s a violent, sexy, and uneven story that ultimately adds nothing to either genre. The idea is good; the legend behind it even better; the execution just isn't there. To enjoy Underworld is to not expect much.