Monday, July 19, 2010

The Young Victoria (2009)

The beginning of one of the greatest love stories is told here in The Young Victoria. Victoria (Emily Blunt) ascends to the British throne at the early age of 18 fighting after a brief fight against regency. The young monarch confides to her young German suitor Prince Albert (Rupert Friend) that she feels a bit like a chess piece. His response “Then you had better master the rules of the game until you play it better than they can” pierces through the noise of her courtiers and handlers who are out to manipulate the young girl. Victoria sets her mind to rule not only the throne, but her court.

Chronicling the early life of Queen Victoria, the film is a stunning period piece thanks to brilliant execution by Blunt and Friend. The pair, surrounded by opulent costumes and settings, is given every tool to shine and they do. Blunt and Friend lose themselves in their historic roles with amazing chemistry and passion.

The supporting cast of courtesans, politicians, and players include a spot-on Jim Broadbent as King William who is prone to emotional outbursts. Paul Bettany as the charming Lord Melbourne, Mark Strong as the conniving Sir John Conroy, and Miranda Richardson as the Victoria’s mother, the Duchess of Kent all impart strong will to pivotal roles that wish to bend Victoria’s ear.

The lush drama unfolds, focusing on the relationship between Victoria and Albert which evolves subtly. Their love cuts through the power plays and manipulations. She needs him, more than Albert needs her. And yet, from the moment the two pawns meet it is apparent this is a relationship to build a monarchy on. But the two are determined to play by their own rules. As Victoria learns to trust him more, she becomes a stronger woman, finding success on the throne as well.

Though I can’t speak to historical accuracy, I don’t believe that is the film’s intent. Rather, The Young Victoria is a condensed look into the early years of a beautiful love story.  The film's one downsides is its running time.  As a fan of this genre, we are given only a parts of the story to advance the plot.  But with this many interesting characters, I wanted more intrigue, villainy, and usurpation.  Victoria's one good outburst—she mistakes stubbornness for strength—is worth seeing for Blunt's remarkable execution.

Falling short of grandiose, the film is content to be human and poignant. But as I see it, the sumptuous production that is The Young Victoria is nothing without the powerful performances from Emily Blunt and Rupert Friend. A must-see for fans of historical drama!

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